Zankel Hall, New York, 881 7th Ave, New York, NY 10019, USA
Alisa Weilerstein’s multi-year performance series FRAGMENTS brings together new commissions by some of today’s most compelling composers with the timeless beauty of J. S. Bach’s six suites for solo cello.
The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.
Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.
PHIL Haarlem, Lange Begijnestraat 11, 2011 HH Haarlem, Netherlands
Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.
Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.
De Flint, Amersfoort, Coninckstraat 60, 3811 WK Amersfoort, Netherlands
The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.
The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.