The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

German conductor Markus Poschner opens his story with the Orchestre du Capitole, which is inviting him for the first time, with a piece with a subtle jazzy touch by the young Dutch composer Mathilde Wantenaar.

A tapestry of contrast. A whole spectrum of colour. In her Ensemble 10:10 debut, Chloe Rooke pairs John Adams’ ecstatic masterpiece with music by Anna Clyne, Julia Perry, Mathilde Wantenaar, and Aaron Breeze.

The Belinfante Quartet is ‘glowing with interplay and experimentation’ (NRC). This young foursome, participants in the SQBA Residency a few years ago, has broad musical interests and effortlessly spans centuries. Nine hundred years sit between Hildegard von Bingen and Mathilde Wantenaar.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

In addition to the Violin Concerto by former student Mathilde Wantenaar, the CvA Symphony Orchestra will play Stravinsky's Petrushka.

In addition to the Violin Concerto by former student Mathilde Wantenaar, the CvA Symphony Orchestra will play Stravinsky's Petrushka.

In addition to the Violin Concerto by former student Mathilde Wantenaar, the CvA Symphony Orchestra will play Stravinsky's Petrushka.

Alisa Weilerstein’s multi-year performance series FRAGMENTS brings together new commissions by some of today’s most compelling composers with the timeless beauty of J. S. Bach’s six suites for solo cello.

The lyricism of Schumann and Brahms complements Heine's romantic approach beautifully, while the contemporary works of Jeths and Wantenaar resonate with the fresh poetry of Maud Vanhauwaert.

Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.

Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.

Mathilde Wantenaar wrote The Song of Koios, an evening-filling oratorio about unstoppable human curiosity, especially for the Netherlands Chamber Choir.